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Sound Stage Spook is the second and final story in Scooby-Doo #18, by DC Comics. It was preceded by Are We Scared Yet?

Premise

Theodore Jones, grandfather of Fred, requires the gang's assistance again. This time a ghost is haunting the sound stage of his new giant crab movie, Bisque, Horror From the Deep.

Synopsis

Insert details here.

Characters

Main characters:

Supporting characters:

Villains:

Other characters:

  • Actors (single appearance)(miscellaneous speaking)
  • Clayton Lonney (only time mentioned)(deceased)

Locations

Objects

  • TBA

Vehicles

  • None

Suspects

Suspect Motive/reason
Tim Sevine He said that Clayton Lonney would be disgusted with actors today.
Nick He wasn't happy with the large fake scar he had to wear to play the race car villian.

Culprits

Culprit Motive/reason
Lucas Spiegel as the Ghost of Clayton Lonney To mess up his rival's movie, so that his movie would reach the theaters first.

Continuity

Notes/trivia

  • TBA

Cultural references

  • In the beginning, Shaggy gets directions from Zandor of the Herculoids, while Igoo looks on (as an unmasked actor).
  • Clayton Lonney seems to be an reference to Lon Chaney, a famous horror movie actor.
  • Lucas Spiegel's name is a play on filmmakers George Lucas and Steven Spielberg, and also resembles the former, somewhat.
    • Claws is a parody of the film Jaws, directed by Spielberg.
  • Cartoon Network Studios is a real animation studio, which produces content for its own channel, Cartoon Network.
  • Tom Burden, the director, and Tim Sevine, the makeup artist, are recurring characters of John Rozum that he has used in several other stories, but he says "they didn't always look the same."[1]

Reprints

Coloring mistakes

  • None known.

Inconsistencies/continuity errors and/or goofs/oddities

  • Fred mistakenly says "Tom" as the first name of Tim Sevine, but the latter is correct, as seen in the short How to Make a Monster. There's already a Tom Burden, and it would be odd to have two Toms in the same story.

Reception

Ray Tate of Comics Bulletin's Line of Fire Reviews, says Joe Staton does a "smashing storyboard."[2]

Quotes


References

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