|This needs a stretch. (Feel free to remove when satisfied of completion.)|
Shaggy's uncle Zooty has his journal of poems stolen by his dead friend's ghost.
Insert details here.
- Uncle Zooty (single appearance)
- Dwight (single appearance)
- Louis (single appearance)
- Smitty (single appearance)
- Mr. Grieg (single appearance)
- Dino (only time mentioned)(deceased)
- Light of the City Bookstore customers (single appearance)(no lines)
- Trolley driver (single appearance)
- Trolley passengers (single appearance)(miscellaneous speaking)
- Police officers (single appearance)(no lines)
- Unnamed city
- Light of the City Bookstore
- Fisherman's wharf
- Fish shop
- Dwight's home
|Louis||A little bit of fish skin that the ghost left led to him.|
|Smitty||Only his shop sold the rainbow trout from which the fish skin came from.|
|Dwight||He bought a rainbow trout the day before.|
|Mr. Grieg||He always tried to copy Zooty's poem style.|
|Becky as the Ghost of Dino||She was tired of all the bad poetry.|
- None known.
=Inconsistencies/continuity errors and/or goofs/oddities
- None known.
Now this is more like it. After DC introduced Johnny DC, I was beginning to have doubts about the intelligence associated with my favorite books. All Ages does not translate to stupid, and this issue of Scooby-Doo is far more intellectual than the previous issue.
Robbie Busch snaps up a superb mystery that's possible to solve. The mystery defies the Scooby-Doo formula: man dresses as spook for the purpose of a real estate swindle. Suspects are given. The detective work is solid, and the solution satisfies. While Busch's story marches to the beat of a different drummer, he captures perfectly the flavor of a Scooby-Doo mystery. For instance, Scooby locates a clue, and Velma points out what that clue is. Mystery Inc. follows up on the clue, and a chase ensues. The setting provides a fresh venue for the Gang to ply their sleuthing, and it also offers Joe Staton a chance for more animated flourishes. Joe Staton really does not get enough credit as an artist. Before working on Scooby-Doo he was a frequent visitor to the DC multiverse and co-created the Huntress. Here, he shows that none of that talent has eroded. There's a moment for instance when he explodes the vision of Shaggy's head as the hipster ducks behind a fish-tank. Everybody looks cartoon perfect, and in the second tale, Staton plays with the panels to invigorate what could have been a dry lesson.