|This needs a stretch. (Feel free to remove when satisfied of completion.)|
Ahmad Simon, Muslim businessman, is troubled by a genii he released from a bottle.
Insert details here.
- Delivery man (single appearance)(no lines)
|Hasan Amal Abu||He claimed he knew all about the legend of the Ifrit. He was absent when the Ifrit appeared.|
|Kevin Robinson||He seemed a little leery about handeling the 3000 employees that he would have when Ahmad Simon went on pilgramidge.|
|Kevin Robinson as the Ifrit||He didn't want Ahmad Simon to go on pilgrimage and leave him in charge of the company.|
The following credits try to match how they are displayed in the comic as much as possible:
- Terrance Griep, Jr.--Story
- Joe Staton--Pencils
- Andrew Pepoy--Inks
- Ken Lopez--Letters
- Bronwyn Taggart--Edits
- "Hajj" means a pilgrimage to Mecca, something required of all Muslims that Simon wanted to do.
- The colorist isn't credited.
The humor promised in the cover can be found in the second snack in Scooby-Doo where writer Chris Duffy and cartoonists Bill Alger and Bob Smith attempt to cure Shaggy and Scoob of their, in light of their experience, rather unbelievable terror in the face of the seeming supernatural.
The eleven panel inset assaulting extinction on page five must be seen to be appreciated. The first snack by the ever-reliable Terrence Griep Jr. employs a rather sophisticated motive for the spook in question as well as a plausible scientific explanation for the obvious culprit who amazingly for once doesn't spout those immortal lines, and "I would have conjured success from my schemes if not for those rotten kids." The art of Joe Staton and Andrew Pepoy provide more depth than one expects from a kids' show. The multiple camera angles and shadows combined with the smart script and an essay on Islam from Brownyn Taggert make Scooby-Doo an inexpensive treat for kids and adults who refuse to grow up.