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Revision as of 16:10, 17 October 2016
This needs a stretch. (Feel free to remove when satisfied of completion.) Needed: Synopsis. |
Ghouls Night at the Opera is a story in Scooby-Doo! #128 by DC Comics.
Premise
Insert details here.
Synopsis
Insert details here.
Characters
Main characters:
Supporting characters:
- Eduardo Formanini (only appearance)
- Rudy Fortissimo (only appearance)
Villains:
- Opera Ghoul (only appearance)(disguise)/
- Devon Barton (only appearance)(redeemed)
- Amara Aria (only appearance)(redeemed)
Other characters:
- Other punk opera singers (only appearance)(miscellaneous speaking)
Locations
- Seattle Opera House
- Auditorium
- Rudy Fortissimo's dressing room
- Backstage wings
- Amara Aria's dressing room
Objects
- TBA
Vehicles
Suspects
Suspect | Motive/reason |
---|---|
Amara Aria | She seemed to be the only one who hadn't seen the Opera Ghoul. |
Rudy Fortissimo | He did edge Devon Barton out of the production and he got the lead before Devon could. |
Devon Barton | He believed that Rudy stole the leading role from him. |
Culprits
Culprit | Motive/reason |
---|---|
Devon Barton as the Opera Ghoul Amara Aria, helped him hide his costume in her dressing room |
To ensure that Devon win back the leading role in the show. |
Notes/trivia
- TBA
Reprints
- Scooby-Doo! Where Are You? #20 (April 2012).
- Scooby-Doo! Where Are You? #43 (March 2014).
Reception
Two outstanding stories split this issue of Scooby-Doo. In the first, the Gang go to a punk rock musical to investigate a haunting. Vito Delsante and Mick Purpura turn the story into a musical. Not an easy thing to do when the comic book is actually a mute object. The writers create melody in the dialogue and include refrains leading to the numbers.
As to the mystery, Delsante and Purpura give the readers plenty of suspects, and hide the culprit well enough. The ghoul reveals himself in the denouement, and they add a novel twist to the typical curse spat by all the frauds the gang have uncovered.
Tim Levins and Dan Davis dramatize Mystery Inc. in a boisterous form that suits the subject matter. They also create some imaginative designs for the punk players of the opera, and the on model Shaggy, Scooby, Fred, Daphne and Velma investigate fully dressed sets that help sell the cadence. [1]
Quotes
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References
- ↑ Ray Tate in Line of Fire Reviews