Chill Out, Scooby-Doo! (DC Comics)

This article is about DC Comics' Scooby-Doo story. For other uses, see Chill Out, Scooby-Doo! (disambiguation).

This needs a stretch. (Feel free to remove when satisfied of completion.) Needed: Synopsis.

Chill Out, Scooby-Doo! (DC Comics)
Description
Publisher	DC Comics
Date published	September 2007
Part of	Scooby-Doo #124
# of pages	20
Writer	Scott Cunningham
Penciler	Scott Neely
Inker	Dan Davis Scott Neely
Colorer	Heroic Age
Letterer	Mike Sellers
Editor	Jeanine Schaefer
Chronology
Previous story	Learn to Draw Velma
Next story	Fly By Night

Chill Out, Scooby-Doo! is the single story in Scooby-Doo #124, by DC Comics. It is an adaptation of the DTV Chill Out, Scooby-Doo!

Premise

Mystery Inc. investigate the Abominable Snowman in the Himalayas.

Synopsis

Insert details here.

Characters

Main characters:

• Mystery Inc.
  • Scooby-Doo
  • Shaggy Rogers
  • Fred Jones
  • Daphne Blake
  • Velma Dinkley

Supporting characters:

• Alphonse LaFleur ^{(comic adaptation)}
• Pemba Sherpa ^{(comic adaptation)}
• Del Chillman ^{(comic adaptation)}
• High Lama ^{(comic adaptation)}

Villains:

• Abominable Snowman ^{(no lines)(comic adaptation)(Minga Sherpa's disguise)}
• Minga Sherpa ^{(redeemed)(comic adaptation)}
• Professor Jeffries ^{(comic adaptation)}

Locations

• Himalayas
  • Mount Everest
    • Mt. Everest Weather Station
  • Ice cave
• Paris, France
  • Le Todd Café
• Rockaway Beach ^(mentioned)

Objects

• TBA

Vehicles

• Airplane
• The Mystery Machine

Suspects

Suspect	Motive/Reason
The High Lama	He is a strange person.

Culprits

Culprit	Motive/Reason
Minga Sherpa as the Abominable Snowman	To convince Del Chillman to stick around.
Professor Jeffries	To steal crystals so that he could have room service in Rockaway Beach.

Notes/Trivia

• It is one of the comics from DC Comics to be reprinted in hardback form.

Miscellaneous

• Disguises:
• Traps:
• Clues:

Coloring mistakes

• None known.

Inconsistencies/continuity errors and/or oddities

• None known.

Reception

"R'oh no! Roo many Raptions!"

For some reason Scott Cunningham chose to litter Scooby-Doo with unnecessary captions. For instance, on page two, he states, "directly above traveling through the stormy clouds that veil Everest's majestic peak" over a depiction of a plane traveling amid the mountains. Grrrrrrr! These unnecessary captions double the reading time for Scooby-Doo, and not one of them amounts to anything.

Cunningham then tries to be cute in these captions. On page three, he states "Freddy loses the connection" which is clearly pronounced in the dialogue: "They're breaking up!" He then blabbers on about "global position satellite system on his high tech cell phone. It tracks Shag's and Scoob’s Final 'Gulp' position as Mt. Everest."

Okay. First up, you don't actually need to know how Fred and the others track down Scooby and Shaggy. They're detectives. Second, I realize that these are comics for all ages but does any kid who can read not know what "GPS" stands for? Third, "Final 'Gulp' position" is just annoying not funny. Fourth, the reader knows they're at Mt. Everest! Cunningham has told us twice!

Apart from the captions, "Chill Out, Scooby-Doo!" would have been a good story if not for the flimsy excuse to have a Yeti tramping about the snow. That excuse also does not earn points for gender stereotyping.

The presence of an actual Shangri-La, a bona fide Yeti, a hilarious French-Canadian Monster Hunter and a hip friend for the Shagster and Scooby combined with excellent characterization for Mystery Inc. exemplify what Cunningham does right. To get there though, you need to use a machete on the captions. Assuming you haven't yet read your copy of Scooby-Doo, I suggest you skip them and try to ignore how they damage the art.

Neely's and Davis' art is impressive, even more so when you consider that Scooby-Doo is an all ages title and always considered less important than the titles meant for a so called sophisticated audience. Neely throughout the panels never veers from the model of Hanna-Barbera, and he generates through natural poses and a few costume changes personality in Mystery Inc. His Scooby and Shaggy provide the wild takes, and his illustration of Cunningham's cryptozoologist perfectly suits the dialogue and imagines how Hanna-Barbera might have brought the character to the pages. A background rich in detail and a genuinely fierce looking “creature” added to the diverse cast make Neely’s art particularly special. I would love to see the illustrations enlarged in an oversized volume.

This issue of Scooby-Doo has some gems, but the weight of the captions and the preposterous motive of the monster make the foray into the snow a tough slog.